Spotlight : Aidan Knight (an interview with...)

Aidan Knight – a stabbing, Versicolour, cereal, and starting a label

What just happened? I was in 7-11 across the street from Sugar [night club] where Said the Whale just played to a sold out, packed out house. And I was buying a 500ml carton of chocolate milk. While we were in line, one of the 7-11 employees ran beside us, literally ran beside us, and took off his belt and made a make shift tourniquet out of his belt and probably really helped out a guy who got stabbed. And then there was blood…

Aidan Knight, a singer-songwriter (in air quotes) from Victoria, BC joined me for an interview after opening for a sold-out set by Vancouver favourites Said the Whale and Hannah Georgas on a cold January night at a bus bench, with both of us reeling from a violent attack in downtown Victoria. The affable, tall Knight describes his music as indie rock mixed with pop, classical and country, “like a big gumbo of music.”

B: You’ve been described before as a sad Jack Johnson. Is that right? [laughs]

A: I guess I should clarify that it’s only because I play an acoustic guitar sometimes. And I put that jokingly, sarcastically in a bio, that people describe me as “sad” and “like Jack Johnson,” because someone who was really drunk once told me, “your music is like… it’s so sad!” And honestly, there’s this one guy at this other show who was like, “hey man, did you open Tegan & Sara’s show at Rifflandia?” And I said yeah. He was like “so great man, so great. You totally remind me of John Mayer.”

B: That’s a different one…

A: … And I get that people think that because I happen to have an acoustic guitar, and that I sing with it… I think it’s cool that people want to come and talk to me and tell me how much they enjoyed the set, and if that’s what their musical comparison is, then that’s what they like and they also like me, then I think that’s okay. At the same time, I have taken that off my bio officially, because that’s all I ever get quoted. Literally, the back of the Rifflandia program was one paragraph: ‘Aidan Knight: he’s from Victoria BC and his music is described as “sad” and “like Jack Johnson.”’ Period. So … if you’re asking what my music sounds in 5 words, I would not say—

B: “Sad and like Jack Johnson.”

Knight has played in several bands since he was a teenager, including Black Tie Social when he was 17, Counting Heartbeats, Toco & Jorge, Maurice, Lotus Child and Vegan Holocaust. He’s supported such mainstay Canadian acts as Julie Doiron, Patrick Watson, Tegan and Sara, Dan Mangan and Said the Whale.

On his latest album, Versicolour, he collaborates with Julia Wakal of Victoria’s gypsy band Bučan Bučan, Toronto’s The O’Darling and teams up with producer Jon Anderson. The name “Versicolour” is inspired by the name of a freckle-like skin condition that he had as a youth (tinea versicolor), which captured the sense of embarrassment and shyness which he can feel in sharing his music.

B: On Versicolour, was there a sound you were trying to achieve?

A: When I went in and first recorded, I wanted it to be very ‘70s-meets-Broken Social Scene. The O’Darling came and we were pretty much 10 people. In the beginning, I had an idea in mind of what I wanted certain tones and sounds to sound like. I just had no idea what the songs were going to be like when it was all finished. And then by the end of it, it just came together in the most unaffected kind of way. All the choices that I made in the beginning, and the choices I made later all compounded on top of those things and were what I would do, or what the O’Darling would do, or what Jon Anderson, the producer—he also played on it—so, there was just a great collaboration.

B: Would you say that other than Broken Social Scene, that the sound was influenced by anybody?

A: Yeah; Julie Doiron—I really like Désormais, it’s one of my favourite albums. My music has a lot more parts to it, like that album is very stripped down and basic, but the kind of spirit of what the guitars sound like, some of the time I was trying to cop her style. Also, I got to see Chet a lot… who are a Victoria institution. I remember going to see them a lot and really like the way that Ryan plays guitar, and the way he sang. I listen to a lot of specifically of Canadian music, and it’d be hard for me to go through and name everything. But yes, definitely Julie Doiron and Chet and Broken Social Scene. And Wilco is a huge influence for me but I think they’d just be in everything that I do, so I won’t even mention that.

One of the stand out tracks in Versicolour is the soulful, spiritual-esque closer “Jasper.” Upon hearing it for the first time, I thought it was a cover because it just sounds classic.  
You can grab a free mp3 of "Jasper" here.

B: Is “Jasper” about the place?

A: It’s about the Athabasca River. I was touring with Maurice at the time and it was the hottest day. And we stopped at this lake and we got out and all these people… hundreds and hundreds of feet out. And it was just up to their knees, and you could go all the way out. And the lyric “oh and I was frightened/when you put your face in/the mouth of the canyon” was about JP just like, diving into the water backwards and laying under the water and the water wasn’t even tall enough to fully cover him. It was inspired by that day; it was so crazy and coincidental that we ended up there that I thought to honour it with a song. And I was feeling a little bit twangy that day, and that’s the song that came out!

B: It’s definitely almost a spiritual.

A: Yeah. I also feel like I hear that sometimes. The lyrics are a little bit baptismal, and I know that the whole bathed in the water and stuff like that, that it’s a very classic religious allegory.

Knight definitely has been inspired by Christian allegory and experience in the church as a kid and youth. In his track “Alter Boys,” he drew from his experiences as one and credits years in the church choir with the hymnal quality to his music and his appreciation for harmony and choral classics such as “Once in Royal David’s City.”

A: Talking about influences, I listen to a lot of David Bazan because I love him as a lyrics writer. He’s the lead singer of Pedro the Lion. He’s very influential to me as a lyricist because he has very sardonic wit about how disenfranchised with God he is. I feel like it’s very edgy and raw and personal. And although I don’t want to write in that style, the things that he says have really captured my lyrical imagination. I love the way that he pieces together songs. I don’t want to steal all of his things, but in terms of adding those religious allusions in my lyrics, I just find that there are things that hint toward that.

You can grab a copy of Versicolour in stores by March 9, which will be under the label Adventure Boys Club. A digitally copy is available as of March 2. If you’re a vinyl person, you can pre-order it at aidanknight.bandcamp.com.

B: Tell us about your plans of starting a new label with a mysterious co-conspirator.

A: Tyler, from Said The Whale, and I are the adventure boys of The Adventure Boys Club. Which is our high-fidelity recording society. [laughs] It’s very elite. Right now we’re just setting the whole thing up. Releasing Versicolour is the only thing we’re doing right now. So hopefully it turns into more things with more bands we want to support. It’ll probably be a great British Columbian label.

B: Kind of like, what Arts & Crafts is like for Toronto?

A: I’m going to go on record and say that if it ever did become the Arts & Crafts of Vancouver or wherever, if it turned out to be the Arts & Crafts of the Georgia Strait, I’m sure that Tyler and I will be very happy about it. Things are looking good.

B: Who would you love to sign?

A: We Are The City. For sure. Even before they won the Peak Performance Project and got the money, they’re just fantastic and great friends. They’re young and have so much music and career and touring ahead of them. And my friends The O’Darling, I would love to give them a label home where we can just pay them money to live and create great music. Right now it’s pretty low key, a little independent label. Incredible friends and incredible musicians.

Aidan Knight had just concluded a tour with Vancouver’s Dan Mangan through BC and Alberta. He is currently on tour with We Are the City, going all the way to Montreal, Canadian Music Week in Toronto, and then heading home. Below are some upcoming tour dates:


Mar 6 - Montreal, QC @ The Green Room w/ We Are The City
Mar 8 - Sherbrooke, QC @ L’Antiquarius w/ We Are The City
Mar 9 - Ottawa, ON @ The Observatory w/ We Are The City
Mar 10 - Toronto, ON @ Global Village
Mar 13 - Toronto, ON @ Criminal Records (Free Instore Show) w/ Dan Mangan & Hollerado
Mar 24 - Calgary, AB @ The Gateway (SAIT) w/ We Are The City
Mar 25 - Lethbridge, AB @ Henotic w/ We Are The City
Mar 27 - Edmonton, AB @ Haven Social Club w/ We Are The City

B: And our last question, which is completely non-music related, and since you’re holding chocolate milk, what’s with the obsession with cereal?

A: I think my cereal thing is just out of nerves of not knowing what to talk about. I’m not really an expert on anything, but if I had to be an expert on something, it would probably be cereal since I’ve eaten so many varieties, looked at so many different nutritional information panels on the boxes. Right now my thing is trying to eat more local food. So I’ve been really supporting Nature’s Path cereal, which is all over. Their main office is in Richmond BC, and their production facilities are all over there. The amount of distance for shipping is much less than Kelloggs, or Post, or General Mills.

B: It’s totally within the 100 mile diet.

A: Exactly! I’m trying to support them, and I’m trying to support local dairies. So companies like Avalon, Island Farms, stuff from the Comox Valley. If I can make just one simple change like that, if everyone could make a simple change to just eat one variety of food locally, it would be supporting our local industry and the idea of food security if there’s ever a problem.

How fitting that Said the Whale also had one of their songs featured in an ad for orange juice. Watching the two of them play is like having a complete nutritious breakfast! If you’re interested in checking Aidan Knight out further, his various websites/social networking things are below:

myspace.com/aidanknightmusic

twitter.com/aidanknight

facebook.com/aidanknightmusic

aidanknight.bandcamp.com (vinyl and stream full album)

** Note, if you buy the vinyl, you’ll instantly get a digital version of the album.

NEW LIVE VIDEO : Mother Mother unveils new song on CBC Radio Q

From their yet-unreleased new album, here's Mother Mother with "Simply Simple," performed in Studio 40 at the Vancouver CBC Broadcast Centre for the Q taping.

Enjoy!

Live Blogging Olympic Music : Coeur de Pirate & Great Lake Swimmers

February 21, 2010

La Maison du Quebec and Ontario Pavilion sure have stellar musical line-ups despite their horrible lack of getting the word out. Quebec House featured acts such as Malajube, Les Trois Accords and last night's Coeur de Pirate, while Ontario Pavilion rivaled with acts such as the Arkells, Broken Social Scene, and last night's Great Lake Swimmers. It's clear that whomever the artistic coordinators are deserves great kudos. The vast talent of central Canada is further displayed via the Ontario House soundtrack, which featured the likes of Jill Barber and Jason Collett.

Where they differed, however, were the line-ups out the doors. Ontario Pavilion always had at least hour-long trails of people out its doors, as well as a separate line-up for its 4D theatre. Quebec House, in contrast, saw a steady flow of people in and out of its white cube, save for during performances. This meant some finessing when going from show to show; thankfully, they were within 2 minutes walk from one another within the larger Concord Pacific Place, which worked out very well when I went from Coeur de Pirate's set to that of Great Lake Swimmers'.

I try to keep commenting of artists' appearances to a minimum unless it adds in some way to the performance, but it's safe to say that Beatrice Martin, aka. Coeur de Pirate, is a very worthy winner of the CBC Radio 3 Bucky Award for Sexiest Musician. A petite blonde coming in at a similarly petite 20 years old, Montreal's CdP dazzled the forlorn Canadian hockey crowd after a 5-3 loss to the US hockey team.

It's tough coming on stage right after a deflating game, but the sweet piano melodies and charming voice of Martin soon had the audience rapt and grinning. She also encouraged spirits by bantering in both English and French, frequently commenting how she loved it when we clapped to her songs-- before, during and after. She wrapped up her lovely set with 3 gems-- a cover of fellow Montrealers Malajube, the big hit "Comme des enfants" and a cover of Rihanna's "Umbrella." Yes, you heard me right. The latter song got an energetic kick as a piano ballad, complete with an adorable french accent. Coeur de Pirate ended by informing us that she was doing another set at 8pm, which was a short 15 minutes later. Although I didn't stay for that set, I'm sure many others got to enjoy her once more.

A somewhat unrelated note: Martin seems to like writing in 3/4 time, which is good news for all you waltz dancers out there.

For the complete Coeur de Pirate photo set, visit my Flickr.

After waiting a short while in line for Ontario Pavilion, I was soon within its reddish-glow bounds waiting for Toronto's Great Lake Swimmers. The crowd was considerably more low key than for Broken Social Scene the night before. Unfortunately, I was standing in between two people who seemed to enjoy their self-proclaimed favourite band by talking loudly through the set. Of course, when security escorted them away from the front, there was a collective sigh of relief.

Outside of some problems with feedback during opening track "She Comes to Me in Dreams," Great Lake Swimmers was as usual-- wonderful, incredibly tight, with Tony Dekker's voice soaring quietly above the beautiful instrumentation of his bandmates. Miranda Mulholland once again joined the Swimmers and, decked in an "I <3 Parkdale" shirt, proved to be a favourite with the audience. Not only that, judging by the time that the spotlight person and cameramen graced her with their attention, the technical crew saw a star in the redhead as well.

After a set representing their entire discography, Great Lake Swimmers were cheered back on stage for an encore, which was not even granted to the rowdy Broken Social Scene crowd of the night before. They obliged by covering Neil Young's "Harvest," and closing off the night with a lullaby "Concrete Heart."

All in all, a great concert, although lacking somewhat in the intimacy that made the show a month ago at the Vogue Theatre so unforgettable.

Here's the set list for the show:

For the complete Great Lake Swimmers photo set, visit my Flickr.

NEW PHOTOS : Broken Social Scene, Feb 20 at Ontario Pavilion

Toronto super-group Broken Social Scene played to an enthusiastic crowd at Ontario Pavilion as part of the Cultural Olympiad on February 20, 2010. Their appearance for Ontario House was kept a secret until the night before, where BSS leaked the information via their twitter. Some faithful fans lined up outside Ontario Pavilion for more than 5 hours.

For the complete photo set, visit my Flickr.

LIVE RECORDINGS : Mother Mother & Stars from CBC Radio Q Taping

Enjoy two recordings from musical guests of CBC Radio Q on February 18, 2010 -- Vancouver's Mother Mother and Montreal's Stars.

Apologies for the poor video quality, but the sound should be just fine.

Mother Mother performing a stripped down version of "O My Heart":



Stars performing "Dead Hearts," a new song off of their yet-unreleased new album:

Live Video: Owen Pallett @ The Black Sheep Inn

Went to see Owen Pallett and Diamond Rings play the first night of two shows at the Black Sheep.
It was a amazing and magical night see them live.
Review of the show.
Here is a live video I took (Sorry about the quality and bumping around).
You might know the tune.

Live Blogging Olympic Music : Jenn Grant & Kathleen Edwards

Since I'm writing this a day late, I can also add-- first female gold medal for Maelle Ricker of North Vancouver in snowboard cross! My mom and I were watching--no, wincing-- throughout the preliminary rounds because of the choppy snow and heavy fog that lingered, necessitating a second qualifying round. And it was in this second round that Ricker came in third, sending her to the race which saw her beat her competitors by a mile and garner the third medal on the troubled Cypress Mountains. Very well done, Maelle, and what a big, contagious grin she bared to the TV cameras!

In a lot of ways, Ricker echoed a lot of the energy that dedication that Jenn Grant and Kathleen Edwards (and bands) demonstrated the night before in their shows at the Richmond O Zone on February 15th. Although the weather had been nice or overcast the entire day, the rain trickled in and came to a downpour once Grant's set began at 8:30. It wasn't just the rain; winds pelted sideways, bringing piles of accumulated rain down from the tarps above the outdoor stage onto the heads of front row listeners. Throughout the sets, especially Edwards', the band had to warm up their hands in between songs, and occasionally in between striking chords. Jim Bryson of Kathleen Edwards' band seemed to wince because some of his riffs simply couldn't happen because of his rigid fingers. But, needless to say, both bands stuck it through the set, and so did the soaked and shivering audience. So whether you were the ski officials up in Cypress or the fans down in the Cultural Olympiad, weather was the foremost thing on your minds.

Jenn Grant opened the night with her quirky voice and light pop. The show in Richmond was the second last of her 14 date Cultural Olympiad tour. Hailing from Prince Edward Island, I previously knew of Grant superficially from a few singles and the glowing recommendations from artists such as Hey Rosetta!. Unfortunately, the weather did not work in her favour, and the intricate and pretty pop orchestrations were largely distracted by the elements and the sheer size of the O Zone compared to the relatively small crowd. I wouldn't write off the show however; the crowd was still very pleased with her music, as well as her jovial banter. I would love to see her again in a smaller, more intimate venue-- indoors.

Kathleen Edwards and band stepped onto the stage amidst roars and applause, which was somewhat more muted than expected due to frozen hands. Edwards was warmly dressed in a poncho-- Peruvian and from her mother, as we were informed in between songs. Guitarist/keyboardist Jim Bryson (and established singer-songwriter in his own right) sported a toque and according to my friend, somewhat resembled Seth Rogen. It's fair to say that no layers were shed in this show. What was frequently shed were guitars; Edwards must've had no less than 5-6 guitar changes. She and band amped up the energy for the show, proving  to be better suited for the venue than their opening act.

Edwards kicked off her hour-plus set with the hockey-inspired "I Make the Dough, You Get the Glory." The show was filled with hits spanning from Failer in 2003 up to her latest, and the few times she went slower tempo, it worked in her favour. "Asking For Flowers," the title track off her latest 2008 Polaris short-listed album, was dedicated to the tireless Olympic volunteers. "Goodnight California" showcased Edwards' formidable fiddle skills, which was demonstrated in this one song in the whole set. That's not to say the band didn't pull their weight comparatively; both Jim Bryson and Edwards' husband and lead guitarist Colin Cripps switched between killer guitar solos and riffs and rhythm guitar alternately. Bassist Kevin McCarragher and drummer Joel Anderson kept the rhythm strong and thumping, and bodies in the crowd if not dancing, then at least shuffling enthusiastically.

It's perhaps apt that Kathleen Edwards played the day after Valentine's Day, as her songs are often filled with anguished love stories and fun kiss-offs. It's safe to say that it's always satisfying to listen to Edwards, whether on your iPod or in concert. And I'm very glad to have caught her live in one of her few, sporadic shows.

And of course, it's always nice to get a customized thank-you tweet from the band. Come back anytime, y'all.

And here is the set list for Kathleen Edwards' show. As you can tell, there are 2 new songs, "Mint" and "Empty Threat."


For some free tracks off her older records Failer and Back To Me (2005), check out Edwards' website under the Music section.

Live Blogging Olympic Music : Mother Mother, Elliott BROOD & GOLD!!!

Gold!!! Alexandre Bilodeau got the first gold medal in the Vancouver 2010 Winter Olympics in Men's moguls! 7.3 million people watched Bilodeau's winning run and approximately a third of the Canadian population watched the run at least in part. Wow. That's a good trivia fact to remember kids. February 14 --Valentine's Day -- first Canadian gold medal on Canadian soil ever.

I found out about this great piece of news through the mesh fences of LiveCity Yaletown, the venue which Vancouver's own Mother Mother was to be playing at 8:00. The lineup around the site exploded with cheering and spontaneous singing of O Canada and the excitement was contagious. A man walked through the streets with a full-sized Canadian flag perched on his back, flapping in the wind. What a sight; the uncharacteristic exuberance and patriotism I'll never forget.

 

Mother Mother was introduced to the stage by one of the Olympic emcees. Although generally cheesy, this one seemed to know and be quite enamoured by MM, declaring that the reason why the band sells out venues nationwide with lineups winding around street corners is because "they're fricking AWESOME!" It was a highlight for sure and got many yelps and cheers from the crowd.

And awesome, they were. Every time I see Mother Mother live, I'm reminded why they were the recipients of the 2009 CBC Radio 3 Bucky Award for Best Live Act. The inventive, unpredictable chord progressions and harmonies explode in real life, and the confidence and style which the band execute their hits bring me back time after time. Lead guitarist and singer Ryan Guldemond stirred the crowd into an insane frenzy with wiry solos and his characteristic falsetto. Jasmin Parkin got some unintentional solos in the first part of the show due to some poor sound mixing; Molly was inaudible for a good bit and the typical three-part harmonies weren't restored until about 4-5 songs in. But there's no use dwelling on a short part of what was otherwise a killer set. The crowd was jumping and flinging about in no time, and of course a couple of crowd surfers graced us with their presence as well.

Seeing as it was Valentine's Day, the choice of "Arms Tonite" for the opening track of the set was very suitable. Mother Mother then blitzed through, hit after hit, their two albums Touch Up and O My Heart. Overheard in the crowd: "if they don't play 'Hayloft' I'm going to cry." Well, there was no need to fret, as MM saved the best for last and had the whole crowd go bananas with their latest single.

Much like the set by fellow Vancouverites Hey Ocean!, Mother Mother's set was sprinkled with new songs. Two, "Simply Simple" and "Eureka," were played previously in their live shows. Another new song, which started as a normal love ballad, got MM'ed rather quickly and turned into a rock out dance-fest a verse in. Can't wait for the new album, whenever that's slated to be out.

Toronto's Elliott BROOD played in LiveCity Downtown shortly after at 9:30; this LiveCity had a fraction of the capacity compared to LiveCity Yaletown. This resulted in two separate lineups- one to get into the plaza, and another hour long line within the plaza to get into the venue where the BROOD boys were playing. Lame, I know. Most of the set was spent outside watching the boys on a large screen, hearing the enthusiastic crowd banging their wooden spoons and cookie sheets to hits such as "The Valley Town" and "Write It All Down For You" from EB's latest Mountain Meadows. Not to be outdone, the 20-30ish people watching the screen outside, as well as some in the lineup, danced, jigged, and swung about to the music filtering out from the venue and the large TV outside, yours truly included. And boy, was it good dancing music. My legs were jelly by the end of the night.

For the very last song of their set, Elliott BROOD dedicated "Miss You Now" to their good friend Dan Mangan of Vancouver, saying  that they hope to see him soon. Dan, of course, returned the love via Twitter. By last half of the song, the lineup had disappeared, and I was able to run in quickly and snap the photo you see above of the dancing, enthusiastic, noisy crowd.

What a night; running from the show of the winner of Best Live Act to one of the finalists. Maybe next time I'll catch EB in real life real life, as opposed to on a screen, separated by glass and a lineup.

Video: Chris Page at Compact Music

February 16, 2010 was the official release for Chris Page's A Date With A Smoke Machine (Review).
Did a in-store session at Ottawa's Compact Music.
Short review on here.
Here is a short clip I took.

Basia Bulat - The Shore (Live in Ottawa)

Here is a video I taped of Basia Bulat playing The Shore.
It was at Ottawa's First Baptist Church on February 13, 2010.
Review of the show

Live Blogging Olympic Music : Hey Ocean! & First Canadian Medal!

February 13 marks the first Canadian medal - a silver - in the 2010 Olympic Games. Jennifer Heil won it for women's moguls skiing. Congratulations! When the medal was announced, a loud sustained roar rang throughout the O Zone, briefly confusing Hey Ocean! on stage.

Onto the music; Vancouver's own Hey Ocean! braved the pelting rain and wind, playing to a massive crowd at the Richmond O Zone. They were opening for Bedouin Soundclash. As the Dutch filtered out from the Holland Heineken House (ridiculously full), HO! saw their crowd size swell throughout the set. Not to say that they didn't draw a sizable crowd of their own; it was clear from the adolescent crowd that many had ventured from Richmond and nearby Vancouver and its suburbs to see this young and energetic band put on their famed live shows. And although they weren't able to bring out the sunshine in actuality, they sure kept the crowd warm with spirited pop songs guaranteed to move feet and shuffle bodies.

Hey Ocean! played a long set which featured a large amount of new songs, including the delightful "Bicycle Song" and "Uh Oh" which they had previously played live, as well as other ones that were brand new to me. And of course, they played mainstay favourites such as "Beatboxer (Who Broke My Heart)," "Alleyway" -- which inspired the obligatory lighter-waving -- and "A Song About California."

They even busted out a very enjoyable cover of The Cardigans' "Love Fool," which was very apt for the eve of Valentine's Day. If the crowd around me is any indication, many boys were smitten by Ashleigh Ball, who oozed her characteristic unassuming sex appeal, which was especially evident during this cover.

They also took the time to introduce Adam Cormier, their new drummer. Adam won over the crowd with an extended drum solo which ended with him doing a somersault. I assure you, with his afro-like mass of hair, it was very endearing.

Hey Ocean!, as one may have guessed by the sheer amount of new material, are in the process of releasing a new album, likely sometime in later in 2010. Until then, you can hear them in one of the two other Olympic shows they're playing-- February 19th at Robson Square, or Feb. 20th at Surrey 2010 Celebration Stage.

As for those of you wondering about Bedouin Soundclash, sorry to disappoint. I had to leave the crowd after HO!'s set because when you mix teenagers with alcohol, you get another different beast altogether-- a really annoying one.

Live Blogging Olympic Music : Malajube & Opening Ceremonies

I kicked off my Olympics celebrations at the cozy, kitschy corner of Vancouver known as Granville Island, where la Place de la Francophonie was located. After dinner, we caught the beginning of the Canadian anthem and bolted out the doors (after paying, of course) and ended up at the outdoor PdlF just in time to catch the last sustained note. What followed was 3 hours of standing in the pouring rain with about 150 other people, mostly francophone, in the outdoor plaza as we watched the visually stunning pageantry known as the opening ceremonies. Music-wise, it was a bit disappointing to note that all the performers were lip-syncing, although some were very, very good at it. The most touching moment was definitely when the entire stadium stood to honour Georgian luger Nodar Kumaritashvili, who had passed away earlier in the day due to an accident during practice. A minute of silence was observed, which resulted in a silent BC Place, as well as silence throughout our plaza.


All in all, the highlights of the Opening Ceremony can be summarized thus-- killer whales, Koyczan and k.d. lang. The visual effects simulating our wildlife drew gasps throughout the audience; BC slam poet Shane Koyczan delivered an impassioned poem highlighting the place of Canada in the world, and k.d. lang performed a spotless and thoroughly worthy rendition of Leonard Cohen's "Hallelujah." (was that really lip-synced? don't believe it) A tweet I read post performance summed it up quite nicely; "That's Canada for you. A vegan lesbian from Alberta singing a song written by a Quebec Jew."

Thankfully, the set by Montreal's Polaris-nominated Malajube was indoors at Performance Works theatre. The theatre was standing room only by the time we arrived, half an hour before their set was slated to begin. And by the time they took to the stage, the wide wooden floors of the theatre were covered with the bums of an eager audience. And they did not disappoint. Mixing sparse English and French banter in the beginning of the set, Malajube quickly got down to business, interspersing their trippy, nudging hardcore and prog-rock with only a few "merci, merci"s. 

Guitarist and lead singer Julien Mineau's vocals were in top-notch form, and in the few songs where he and keyboardist Thomas Augustin screamed the lyrics, the crowd went absolutely ape-shit and it was amazing. Augustin also reminded me of Foo Fighter's Dave Grohl with his demeanor and mustache. Instrumentally, the set was near flawless, with a few technical difficulties in the beginning soothed out a couple of songs in. The two songs that I knew well, "Porte Disparu" and "Luna" from their latest Labyrinthes were played back to back in the beginning of the set. The band was not afraid to take the audience on a ride, often stretching out the songs into long, instrumental freak-outs. The audience more than happily returned the favour by slam dancing and crowd surfing. All in all, it was a fucking concert.

What made the night special, on top of Malajube in their top form, was seeing the most eclectic group of fans rock out gleefully in Performance Works. Myself, my Mexican friend, his francophone boyfriend, the nearby group of teen Chinese girls were all singing along at the tops of our lungs. Middle aged couples were front and centre, in the middle of the most enthusiastic and non-hostile mosh pit I've seen. When someone pushed, they pushed back with big grins. Some up front (like me) had their wet shoes off from being outside and were dancing without worry. When an older lady side stage was flinging her arms about and sending voodoo arms toward the stage (so looking generally awkward), two high school girls jumped from in front of the stage to join her in her strange Macarena-like dance. The crowd was bloody brilliant, and very Canadian.

As my friend Cody at @cdnmusic would say, Malajube pour le gagner (PLG)!

Here's the set list for the night:

For more photos from the Malajube set, visit my Flickr!

Graven - Valley Theory Tour

Growing up, Graven frontman Matt McKechnie was a massive listener of J Mascis (Dinosaur Jr.), Stephen Malkmus (Pavement) and Led Zeppelin. Having played in garage bands since his mid-teens, he began to adapt and progress with the shifting musical terrain around him while still staying true to his idyllic influences.

With production and inspiration from folks like Charles Austin in Halifax (producer of Buck 65, Matt Mays, Joel Plaskett) and Dean Watson in Ottawa (producer of Meredith Luce, The Soiree, The Murder Plans), Graven is ready to hit the streets and rumble for the good of soul-singers everywhere.

This past summer of 2009, Graven toured on their latest Ottawa-recorded and acclaimed EP Valley Theory. The title of the album symbolizes leaving old familiar terrain (the 'valley') for new adventures. Having limited time and an even more limited budget, Matt & gang recorded the 5 songs of the EP in about 8 hours in May with the help of sound guru Dean Watson (Gallery Recording Studios in Ottawa).

Sometimes changing all of the players (save for Matt himself) depending on the sound, Graven crosses between folk, power pop, hard rock, countrified cottage music and alternative country. Matt McKechnie’s songwriting style cannot be pinned down. The album also allowed Matt to finally showcase his irreplaceable and talented band of musicians -- Rehuel Ernest, Paul Godin, Owen Edwards and Landon Kotchapaw.

The older, re-vamped track 1 'Northglow' was one of Matt's first Graven creations and was roughly recorded in 2002; it was also recently featured on Zunior.com mixtape. The highly anthemic 'I Speak Your Sadness' garnered Graven considerable attention as it centered around the story of one of Matt's musical idols - Halifax native Matt Murphy (of Flashing Lights & Super Friendz).

The song speaks about Matt Murphy's surreal stage presence and musicianship. McKechnie actually convinced Murphy to attend their show at the Horseshoe Tavern back in June where they were able to chat for a few minutes - Murphy later wrote McKechnie a message saying 'Great set! I ESPECIALLY loved the song about me!'
Free MP3 of 'I Speak Your Sadness': http://www.mediafire.com/?mmqh4muzzhy
 
The album then takes a fictional turn as 'Golden Garage' delves deeper into contemplation as we learn of another musical character who has traded artistic success for commercial fame. 'Harsh' then depicts the near collapse of the singer who wants nothing more than to leave his town while the uppity twang of 'Country Stars' might have introduced the singer to a new reason to stick around.
Free MP3 of 'Country Stars': http://www.mediafire.com/?znwnhzkiimo


Check out Matt and the good ship Graven as they hit the waters of the east coast for a stripped-down, 3-night-stand at The Carleton in Halifax while sprinkling in a few dates across Ontario for good measure.

March 11 - The Carleton, Halifax, NS
March 12 - The Carleton, Halifax, NS
March 13 - The Carleton, Halifax, NS
April 20 - TBA, Guelph, ON
May 1 - The Avant Garde, Ottawa, ON (w Texting Mackenzie)

You can find Graven at:
label - http://gravenrecords.com
myspace - http://myspace.com/gravencanada
twitter - http://twitter.com/gravencanada
youtube - http://youtube.com/gravencanada


Graven - Beginning Of The End Of Summer (Acoustic)

Rah Rah Announces Tour Dates & New Album

 

Rah Rah are currently putting the finishing touches on their follow-up, as yet untitled, full-length album, set for release this summer on Young Soul Records/ EMI. This new album was recorded and mixed in Montreal by Kees Dekker (Plants & Animals). A companion EP will also follow later this year.

Having previously shared the stage with Wintersleep, Holy Fuck, Mother Mother, Malajube & The Rural Alberta Advantage, Rah Rah are embarking on a tour through February and March to continue the reach of their debut, Going Steady.  Conjointly, over the next month the band will finish work on their forthcoming album. Release details for the new Rah Rah record will follow soon.

RAH RAH – TOUR DATES – FEBRUARY & MARCH – 2010

Feb 10 – Broken City – Calgary, AB
Feb 12 – Railway Club – Vancouver, BC
Feb 14 – Pawn Shop – Edmonton, AB (with Hot Panda)
Feb18 – Lo Pub – Winnipeg, MB
Feb 19 – Black Pirate’s Pub – Thunder Bay, ON
Feb 20 – Townehouse – Sudbury, ON
Feb 21 – This Ain’t Hollywood – Hamilton, ON
Feb 23 – Phog Lounge – Windsor, ON
Feb 24 – Blackshire Pub – London, ON
Feb 25 – The Garrison – Toronto, ON
Feb 26 – The Green Room – Montreal, PQ
Feb 27 - Café Dekcuf – Ottawa, ON
Mar 02 – Exchange Community Church – Winnipeg, MB
Mar 05 – The Exchange – Regina, SK (Haiti Fundraiser)
Mar 06 – Amigo’s – Saskatoon, SK

http://www.myspace.com/rahrahband

Library Voices - New Album Details & Tour Dates

Library Voices, an eight-piece pop collective from Regina, Saskatchewan released their EP, Hunting Ghosts (& Other Collected Shorts) on Young Soul Records in 2008. It landed them square in the crosshairs of SPIN’s music radar, who proclaimed Library Voices the “undiscovered band you NEED to hear now.” They have been featured in The New Yorker. They’ve received generous airplay on the CBC and BBC. They have won a CBC Radio 3 “Bucky” Award. They’ve been mugged twice and had their van robbed once.

Now Denim on Denim, the debut album from Library Voices will be released on April 13, 2010(Young Soul Records /EMI). Young Soul Records is the most recent label to join a decorated EMI Label Services roster alongside the likes of: Arts & Crafts, Hidden Pony, Secret City, Ultra Records, Century Media and Side One Dummy - all utilizing EMI Music Canada’s distribution and services reach.

Denim on Denim was (painstakingly) recorded in Regina in the back of a local dance studio. Staying true to their objective of documenting spacious and concise pop songs meant omitting dozens of ideas and tracks from the final mixes. Yet, the record is still teeming with instrumentation - guitars and keys, horns and synths, and (of course) the occasional feedback loop. Denim on Denim was produced by Library Voices and Orion Paradis and features guest appearances from co-prairie musicians and friends in Woodpigeon, Rah Rah, Sylvie, Northcote, as well as Andy Shauf. Right down to the die-cut album packaging - the exterior cut-away lightening bolt revealing the denim inner sleeve, demonstrates the attention to detail that extends to every corner of their work.

As with their previous EP, Denim On Denim is rich with cultural reference. Stan Getz and Fyodor Dostoevsky make cameos in songs about late night escapades. Similarly, Haruki Murakami, Charles Bukowski, Dennis Wilson, and Gram Parsons (among others) weave their way through tales of indulgence, promiscuity, modern living, and the forthcoming apocalypse. This is feel good music for an audience with a conscience (albeit likely, a guilty one). Lead single from Denim on Denim - Drinking Games is available at http://www.myspace.com/thelibraryvoices

The bands unabashed celebration of the term 'pop music' has at times, been met by confusion, leading some to expect bubble gum or auto-tuned FM shine. Although apologetic for the misunderstanding the band stands behind the term. They could have called it, “Post-Twee-Power-Folk-Nu-Beach-LoFi-Modern-Indie”- but they didn't. It's pop. Just pop. You know, like The Stranger, The Zombies, and Videodrome.

Library Voices will be playing live in B.C. over the Olympics and will be on correspondent duty for Regina local Radio 1 reporting on the Olympic experience. Olympic performance dates for Library Voices are outlined below. Subsequent details on their upcoming library and national venue tours in support of Denim on Denim will be announced soon.

LIBRARY VOICES – FEBRUARY 2010 – LIVE DATES – 

Feb 20 - Vancouver, B.C. - Saskatchewan Olympic Pavilion - 9PM
Feb 21 - Vancouver, B.C. - Saskatchewan Olympic Pavilion - 9PM
Feb 22 - Vancouver, B.C. - Saskatchewan Olympic Pavilion - 9PM
Feb 23 - Vancouver, B.C. - BC Place - Medal Ceremony
Feb 23 - Vancouver, B.C. - Show - TBA
Feb 25 - Kelowna, B.C. - Habitat                                                                                                        
Feb 26 - Calgary, A.B. - Gateway (SAIT)
Feb 27 - Edmonton, A.B. - The Pawn Shop

http://www.myspace.com/thelibraryvoices

CONCERT REVIEW : Great Lake Swimmers w/ Jon-Rae Fletcher

If there is anyone reading this who has not seen Great Lake Swimmers live, stop reading. Go buy a ticket at one of their upcoming shows, now.

Now that I've gotten that exhortation out of the way, there are few things I can say about the Swimmers' performance that has not been said a thousand times. Yes, they are tight-knit, never missing a cue from one another. Yes, their music only sounds more expansive and mesmerizing in real life compared to the already excellent recorded version. Yes, Tony Dekker has a comforting, sandy angelic voice. They've placed highly on both my favourite shows AND albums of 2009 lists.

But, I do think I have a contribution to the vast sum of critical acclaim for the Great Lake Swimmers. You know how when you're reading a good novel, you're drawn into a fantastical world that is not your own, in which you reside for the duration of the novel and for quite a while after? That has been my experience with the Swimmers' music, in particular their live shows. And their sonic tales have been ones of loving, longing, treasuring and exalting. It's not until they're finished with you that you realize you'd been holding your breath.

Seeing them, full-band and not unplugged, at the beautiful Vogue Theatre in Vancouver definitely showed that there was much more to add to my already bountiful love for GLS. They brought along Miranda Mulholland, with her lovely voice and deadly fiddling, as opposed to their usual companion Julie Fader. Watch out for this redhead, she not only stole the hearts and minds of all the men in the theatre (and most of the women), but also showed her chops during an extended jam-out of "Still" at the end of their set. In her own words, she really did "giv'er."

Opener Jon-Rae Fletcher and band showed the crowd that country is not dead. In fact, they had the crowd bursting into spontaneous bouts of applause during their songs. Crowing favourites such as recent "Maria" to the 14 year old song "14 Years," Fletcher had his heart on his sleeve and the ears of all who could hear. An encore was demanded even before the last song, and he happily complied.



Jon-Rae Fletcher's set list:
As I Die
Maria
City Lights
Red Raven
Blessed Assurance
Big Talker
Open/Broken
14 years
The Hill
Downtown
Encore-Fire

For a small handful of photos, visit my Flickr.

NEW VIDEO : Hannah Georgas - Thick Skin

A new song and video from the soon-to-be-released This Is Good (due out April 27, 2010) by Vancouver-based Hannah Georgas. In the video, she reveals her own vulnerabilities, quite literally stripped down to her thick skin.

User Friendly Olympic Concert Schedules

As a public service for all music lovers in Vancouver and curious Olympic visitors, I've created 8** (**as of February 1) simple print-outs of mostly free concerts in Metro Vancouver and Whistler. If you've even taken a brief glance at the host of websites featuring this information, you'll know that it was really decentralized. [belated note: and some websites are just awful.] This is a way for you to glance quickly at what's going on in a given day and make a choice about whom to see.

Many local Canadian talents are highlighted, including Mother Mother, Elliott BROOD, Great Lake Swimmers, Arkells, Sam Roberts Band, Jill Barber, Matt Mays, Jenn Grant, Stars, .. and the list goes on and on and on.

If this is helpful to you at all, please forward them on with a link back to the blog. All of the information courtesy of their respective websites.

If you would like a Word document forwarded to you, please email me at brendahlee [at] gmail [dot] com.

Print out #1: Cultural Olympiad (Free AND paid concerts)
Print out #2: Surrey 2010 Celebration Stage (Free)
Print out #3: Whistler Live! (Free)
Print out #4: LiveCity Vancouver (Free)
Print out #5: Richmond O Zone (Free)

Print out #6: Free CBC Events
Print out #7: Atlantic Canada House (Free)
Print out #8: Robson Square GE Plaza (Free)
Print out #9: Ontario Pavilion (Free)

Compilation: Canadian Indie Highlights (a compilation list-- there are shows on here which are not on other schedules, including Alberta House and Saskatchewan Pavilion)

Cultural Olympiad in Vancouver - Stars, K'Naan, Veda Hille, and more

No matter what your opinion is regarding the Olympics itself, its effect on its host cities and the inhabitants, its tendency to plunge cities into decades-long debt, or its direct and indirect victims in terms of budget re-allocations... all those heated opinions aside, the Cultural Olympiad of 2010 is bringing some of the best acts in Canada into Vancouver and the international spotlight.

Below are a few of the many ticketed and non-ticketed (i.e. free) events going on in Vancouver and Whistler BC in January to March, 2010.

Stars with Hey Rosetta!
K'naan with Tinariwen
Feist (misspelled Fiest on the website. C'mon; really?)
City and Colour
Malajube
Chromeo w/ Team Canada DJs
Corb Lund
Joel Plaskett (w/ Steve Earle)
Blue Rodeo
Veda Hille Trio

For a full list of music and other artistic events, visit the Cultural Olympiad website here.